Remote studio sessions, new drum cover, drum tracks, and studio gear.

The music and recording industry is changing (and it always will be.) But the question I seem to hear the most, “is it for the better or for the worse?” I like to take a positive approach and I think it will be for the better. Things in the consumer and creative world usually change because ultimately people want them to. The ones who jump in and help to craft the changes can also reap the benefits, in my opinion.

There are a lot more opportunities for people to own their own home studios. A lot of artists, including myself, are composing, recording, and producing their music tracks at home with their own gear. I really believe this trend will continue and be the future of music production. Unilaterally, musicians are practicing both their instruments and their audio engineering skills. I believe the future will require us to have a knowledge of both our instruments/voices and digital audio production.  Of course, it is amazing to go into a really nice commercial studio and record tracks. But it is also extremely expensive… some commercial studios I have recorded in charge around $75-120 per hour and I’ve heard that can go higher! (Not to say this isn’t worth it, because the gear is usually phenomenal… but a lot of us don’t have major record labels to send the bill to!)

This brings me to my next point… Having a good sounding instrument (for example, a well-tuned drum and nice cymbals or a good guitar amp and tuned guitar) is a priority over buying some of the fanciest preamps or microphones. This is also the same for the player… Make sure you can play the part correctly and in time. You hear far too many stories of bands going into the studio and spending a bunch of money just to figure out their songs aren’t fully written, their kick drum pedal squeaks, or they simply can’t play to a metronome. My recommendation is to master your instrument and make your performance sound good first and then the recording and gear are secondary and will become much easier. I have heard some amazing instruments sound great through a basic rack interface and simple dynamic microphones.

I recently made a drum cover video of “The Middle” by Zedd, Maren Morris, and Grey. (Watch on YouTube.) I really like the production of this song and I also enjoyed playing drums on it. So, I decided to set up my mikes, camera and hit the little red record button. A big thanks to Jerome Giancola for mixing the drums and the tracks together (Check out his studio site). Jerome and I played together during Ringling Bros Circus and he is not only a killing bass player but an excellent audio engineer. He is currently working in the New York City area and I highly recommend him for any project! (Remember… remote sessions.) A lot of times I will record a project with Logic Pro X and then I can zip it and send it to anyone to record or mix the session. Jerome and I have been working this way for a few years now… Whether it is mixing drums or him just laying down some bass on one of my original tunes, it works perfectly! Remote sessions allow you to work with musicians and producers from anywhere in the world. So, I think this is a positive move for the modern recording industry. Jump in or get stuck in the past!

 

Here is the gear I am using for remote drum sessions (with links if anyone is interested…)

Vic Firth 5A drumsticks

Westone UM PRO 50s

Yamaha Oak Custom drum set: They do not make these in Japan anymore, but the new one still sounds amazing…

Zildjian Cymbals (from left to right)

14″ K Constantinople Hi-Hats

16″ K Dark Crash

(Stack) K EFX & Stacker

K Constantinople Jazz ride

Crash of Doom

Remo Ambassador drumheads

DW 5000 double kick pedal

Shure drum mic kit

They do not make AKG 420 (overheads) anymore, but they have these now

Nady DM-70s

CAD CM217

Focusrite Clarett 8PreX

PreSonus Firestudio

 

 

 

 

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